26 janv. 2011

Cuban Artists Across the Diaspora / Andrea O'Reilly Herrera

Recibo de parte de la amiga Andrea O'Reilly Herrera la noticia de la publicación de su libro de ensayo Cuban Artists Across the Diaspora. Setting the Tent Against the House (University of Texas Press) . Andrea es profesora de Literatura y Directora del Women's and Ethnic Studies en la University of Colorado, de Colorado Springs. Ha publicado el libro de ensayos ReMembering Cuba: Legacy of a Diaspora, la novela The Pearl of the Antilles (que presenté en la Maison de l'Amérique Latine hace un tiempo) y coordinó la edición del libro de ensayos Cuba: Idea of a Nation Displaced (en el que tuve el gusto de participar).

En la sinopsis de su nuevo título se lee:

As an island—a geographical space with mutable and porous borders—Cuba has never been a fixed cultural, political, or geographical entity. Migration and exile have always informed the Cuban experience, and loss and displacement have figured as central preoccupations among Cuban artists and intellectuals. A major expression of this experience is the unconventional, multi-generational, itinerant, and ongoing art exhibit CAFÉ: The Journeys of Cuban Artists. In Cuban Artists Across the Diaspora, Andrea O'Reilly Herrera focuses on the CAFÉ project to explore Cuba's long and turbulent history of movement and rupture from the perspective of its visual arts and to meditate upon the manner in which one reconstitutes and reinvents the self in the context of diaspora.

Approaching the Cafeteros' art from a cultural studies perspective, O'Reilly Herrera examines how the history of Cuba informs their work and establishes their connections to past generations of Cuban artists. In interviews with more than thirty artists, including José Bedia, María Brito, Leandro Soto, Glexis Novoa, Baruj Salinas, and Ana Albertina Delgado, O'Reilly Herrera also raises critical questions regarding the many and sometimes paradoxical ways diasporic subjects self-affiliate or situate themselves in the narratives of scattering and displacement. She demonstrates how the Cafeteros' artmaking involves a process of re-rooting, absorption, translation, and synthesis that simultaneously conserves a series of identifiable Cuban cultural elements while re-inscribing and transforming them in new contexts.

An important contribution to both diasporic and transnational studies and discussions of contemporary Cuban art, Cuban Artists Across the Diaspora ultimately testifies to the fact that a long tradition of Cuban art is indeed flourishing outside the island.